“The Real Estate Apocalypse,” the first episode of “Selling Sunset” Season 7, takes us on an extravagant, dramatic, and fascinating journey. Similar to the actual catastrophe, this episode debuted surreptitiously on our screens and immediately captured our attention. It’s hard to look away as the fascinating world of Los Angeles’ affluent real estate opens up in front of us.
The ensemble of “Selling Sunset” Season 7 Episode 1 is made up of strong, endearing women who skillfully negotiate the complexities of the Los Angeles real estate market while also adding a spice of dramatic personal drama and a dash of breathtaking luxury. Selling Sunset Season-Premiere Recap by tvacute takes you through all the important moments.
[Finale] Selling Sunset Season 7 Episodes 10 and 11 Recap
Selling Sunset Season 7 Episode 1 Recap
The customary cinematic leisurely walks that introduce the characters are absent from this episode’s opening. Amanza, Bre, and Emma take us on a tour of the house right away. The aforementioned residence is an extravagant estate worth $16 million, fit for a model used to stage extravagant pictures. What’s remarkable is that there are no doors or walls, which are typical of wealthy homes in California. Even though the state experiences wonderful weather, one can’t help but worry about possible run-ins with insects, reptiles, or even intruders. It’s an odd combination of fragility and elegance.
In the meantime, Chrishell travels to Australia in an attempt to flee her relationship with G Flip. She is not the only person who chose to go between continents, though. Her former boss and an important member of the O Group, Jason, also ends up in Australia. Seems a bit unusual—a 15-hour flight for an unplanned meetup in a nation renowned for its unusual fauna. Chrishell downplays the strangeness of the encounter while handling the situation with elegance. It’s evidence of the unspoken rule at the brokerage to keep moving and not to focus on strange encounters.
The fact that Jason is traveling ad hoc with Marie-Lou, his teenage lover, only serves to complicate matters. No matter how comfortable the cabin, a 15-hour flight is still a taxing experience. As the determined German model Marie-Lou makes her way through this ordeal, the scenario gets even more perplexing.
Nicole reappears in the plot and is encountered along the way. She and Mary go through a massive 13,000-square-foot, $26 million mansion that might be the setting for a raucous film or a frightening horror. The four unique constructions on the property and the profusion of different kinds of stone perfectly capture the feeling of luxury. A major shift occurred when Mary said she was leaving her managerial position at the O Group. It’s a wise choice, since her supervisory responsibilities frequently overlapped Jason’s, albeit at a far lower salary. She also has to deal with the hard facts of the current real estate market slump, since new laws could have an impact on buyers of large properties.
The housing problem is made worse by California’s choice to tax significant real estate acquisitions, which has an impact on many city dwellers’ quality of life. It serves as a moving reminder of the difficulties wealthy people in a city characterized by economic inequality encounter.
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In order to select the ideal location for Chelsea’s 30th birthday celebration, Chelsea and Emma set out on a mission. In actuality, this is her first birthday party because her mother didn’t have much time for celebrations because she worked overseas for a large portion of her childhood. Chelsea’s behavior takes an unexpected turn, even though her past makes us feel sorry for her. She tells Emma how much she loves Nicole and even tries to defend her, but a few moments later she betrays Nicole by telling Emma that Nicole was called a social climber. In addition, Chelsea complains about Bre’s popularity and raises the possibility that there is a hidden agenda to tarnish Bre for having an open relationship with Nick Cannon. All of this pettiness is a little frustrating because Chelsea’s character changes in an unexpected way.
Romain, who has taken a lot of flak in the past, occasionally makes an effort to win over the crowd by working on stoic building projects. His hands-on attitude and calm determination are refreshing. Romain shows real concern and is ready to stand up for Mary when she worries that her advanced age may cause difficulties in getting pregnant. This scene’s emotional depth, particularly when it comes to Mary taking a pregnancy test on TV, gives her a new, surprising dimension. It’s a touching moment, and we can’t help but be pleased for them and wish them luck as they become parents.
Mary seems to be drawn to dangerous circumstances, whereas Emma seems to be regaining her passion in life. Her fearlessness is demonstrated by her propensity to stroll on the brink of infinity pools and attempt to scale tall woodpiles. Emma brings Peter, an off-screen employee of the O Group, into the story over a meal with Amanza, Chrishell, and Bre. Emma and Christine had both had romantic relationships with Peter at various times; this led to a sequence of circumstances that eventually resulted in Christine’s exit from the program. Notably, Peter’s name has been on TV for the first time, raising the prospect that he might not be as distant from the narrative as Chrishell would like. Emma shines light on the dark side of her romantic past by revealing that she spent “five or six years” seeing someone who, she acknowledges, is not the kind of person you’d want your loved ones to date. She also offers to mediate the dispute between Chelsea and Bre, even though it doesn’t seem like there is much of a dispute at all—Chelsea’s animosity toward Bre stems from her relationship with Nick Cannon.
There may be similarities between Chelsea’s choice to keep Bre out of her birthday celebration and Christine Quinn’s engagement party from the previous season. It’s hard to avoid thinking that Chelsea, who Christine introduced to the show, wants to take center stage and become the new antagonist. She seems to be the kind of person who will only extend an invitation to your birthday if you are married to the father of your child. However, she unintentionally invites Nicole, the real villain of the show, which sets up an interesting dynamic. The fact that Emma rushes towards Nicole after sharing a private moment with Chelsea and cryptically says, “I love you; I have something to take care of,” like John McClane in a suspenseful movie scene, adds to the intricacy of the situation.
In this episode, Chrishell displays a vulnerable side and boldly speaks with Nicole. She says, “I make more than you in five minutes than you could ever make in five years!” and makes fun of Nicole’s alleged cosmetic surgery. With such low punches in a show full of changed appearances, Nicole comes off as unexpectedly relatable. Nicole, wearing an all-white outfit and a jacket that could pass for a cape, says with assurance, “I don’t shrink to raisins for anyone.” Nicole becomes an antihero at this point, going from being just a villain to someone who deserves our respect and adoration.
In the middle of all of this chaos, Amanza steps forward to try to mediate the conflict between Nicole and the others. She differs from the other ladies, nevertheless, because of her emotional involvement in these disputes. For Amanza, these ladies are more than simply coworkers; they are like a second family.
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